College Bulletin 2022-2023 
    
    Apr 30, 2024  
College Bulletin 2022-2023 [ARCHIVED CATALOG]

Course Search


 

Film and Media Studies

  
  • FMST 042. Animation and Media


    This course examines the forms, technologies, and history of animation in film and other media. Screenings include short- and feature-length animated films, narrative and experimental animation from the U.S. and other countries, and animation in television and digital media. Emphasis is on framing animation in relation to an array of cultural and economic forces and theoretical perspectives, including performance, gender, the body, media evolution, taste, symbolism and realism, and the avant-garde. 
    Humanities.
    1 credit.
    Fall 2023. Rehak.
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 043. Conspiracy Media


    Investigates conspiracy and the paranoid imagination both within film and television narratives (through stories built around plots, hidden agendas, and betrayal) and as a mode of skepticism and mistrust toward media themselves (the role played by media in coverups, hoaxes, and “fake news”). Focusing on a period from the Cold War to present day politics, the course constructs an archeology of screen, print, and interactive media to explore the shifting meanings of conspiracy in response to technological and social change. Topics include the structural affinities among conspiracy, narration, and seriality; recurring thematics such as biological contagion, corporate and patriarchal menace, and supernatural forces; and the role of digital media in both spreading and debunking conspiracies. Required weekly viewing.
    Eligible for INTP
    Catalog chapter: Film and Media Studies  
    Department website: https://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 045. Feminist Film and Media Studies


    (Cross-listed as ENGL 091 
    This course explores theories and methods at the intersection of film and media and gender and sexuality studies, including representation and self-representation, historiography and canon formation, intersectionality and transnational politics, gender performativity and sexual dissidence, cultural production and critique. Required weekly screenings feature films and programs from a range of historical periods, national production contexts, and styles: mainstream and independent, narrative, documentary, video art, and experimental. Readings in feminist film theory will address questions of authorship and aesthetics, spectatorship and reception, image and gaze, and current media politics.
    Humanities.
    1 credit.
    Eligible for GSST, INTP
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 046. Queer Media


    (Cross-listed as ENGL 090 )
    The history of avant-garde and experimental media has been intertwined with that of gender non-conformity and sexual dissidence. Queer theory has developed in relation to queer film texts and cultures. How do lesbian/gay/bisexual/transgender (lgbt) filmmakers queer sexual norms and standard media forms? Challenging classic Hollywood’s heterosexual presumption and mass media appropriations of lgbt culture, we will examine lgbt aesthetic strategies and modes of address in contexts such as the American and European avant-gardes, AIDS activism, and transnational and diasporan film.
    Humanities.
    1 credit.
    Eligible for GSST, INTP, DGHU
    Fall 2024. White.
    Catalog chapter: Gender and Sexuality Studies Film and Media Studies  

     
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 047. Race and Media Studies


    This course interrogates the foundational role of race in the development of modern technologies and media theory. Moving across different periods and media formations, we will address how race as a social category and cultural fantasy has been materialized through specific film technologies, representational norms, and institutional networks. At the same time, we will also look at a range of films and television shows that challenge protocols for constituting race as an object of knowledge and control.
    Humanities.
    1 credit.
    Catalog chapter: Film and Media Studies 
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 049. Screening Philadelphia


    This course considers how Philadelphia has been mediated and imagined in cinema, popular culture, and US history. We explore Philadelphia’s key role in early film’s emergence, in framing ideas about black lives, and its potential for opening up questions about the cultural geography of cinema and media. Critical attention to onscreen representation, from sitcoms to documentaries to Hollywood film, will be complemented by historical research and ethnographic fieldwork, drawing on our proximity to the city.
    Humanities.
    1 Credit.
    Catalog chapter: Film and Media Studies 
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 050. Critical Approaches to World Cinema


    Is there such a thing as world cinema, or is the concept a naïve or imperialist one? What is the relationship between “world cinema” and national cinemas? What is “national” about national cinemas? This course introduces students to theoretical debates about the categorization and global circulation of films, film style, authorship, and audiences through case studies drawn from Iranian, Indian, East Asian (Korea, Taiwan), Latin American, European, and U.S. independent cinemas. Special attention to how film festivals, journalism, and cinephile culture confer value.
    Humanities.
    1 credit.
    Eligible for GLBL-Core
    Fall 2023. White.
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 051. European Cinema


    (Cross-listed as LITR 051G, GMST 051)
    Setting out from the cornerstones of aesthetics, history and memory, this course introduces you to post-war directors from Italian Neo-Realism, British and French New Waves, Eastern European Cinema, Post-New Wave Italian auteurs, Spanish cinema after Franco, New German Cinema, Swedish and Danish cinema. The course addresses key issues and concepts in European cinema such as realism, authorship, art cinema, and political modernism, with reference to significant films and filmmakers and in the context of historical, social, and cultural issues. 
    Humanities.
    1 credit.
    Eligible for GMST, GLBL-Paired
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 052. Postwar France: French New Wave


    (Cross-listed as FREN 073 & LITR 073F )
    This course is an in-depth exploration of the development and evolution of the French New Wave in postwar France. We will concentrate on the history of the New Wave in France from the 1950s through the late 1960s by the close study of the styles of individual filmmakers, the “film movement” as perceived by critics, and the New Wave’s contribution to modernizing France. The primary emphasis will be on the stylistic, socio-political, and cultural dimensions of the New Wave, and the filmmakers and critics most closely associated with the movement. Directors, who were once all film critics for the magazine Cahiers du Cinéma, will be studied along side other important filmmakers of the era.
    Fulfills national cinema requirement for FMST.
    Humanities.
    1 credit.
    Eligible for GLBL-paired
    Fall 2022. Yervasi.
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 054. German Cinema


    (Cross-listed as LITR 054G , GMST 054 )
    This writing intensive course is an introduction to German Cinema from its inception in the 1890s until the present. It includes an examination of early exhibition forms, expressionist and avantgarde films from the classic German cinema of the Weimar era, fascist cinema, postwar rubble films, DEFA films from East Germany, New German Cinema from the 1970s, and post 1989 heritage films. Students in the class analyzes a cross-match of popular and avantgarde films while discussing mass culture, education, propaganda, and entertainment as identity- and nation-building practices. Taught in English.
    Prerequisite: FMST 001  
    Humanities.
    Writing course.
    1 credit.
    Eligible for LITR, GMST
    Fall 2024. Simon.
    Catalog chapter: Film and Media Studies  
    Department website: https://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  
  • FMST 057. Japanese Film and Animation


    (Cross-listed as LITR 024J JPNS 024 )
    This course offers a historical and thematic introduction to Japanese cinema, one of the world’s great film traditions. Our discussions will center on the historical context of Japanese film, including how films address issues of modernity, gender, and national identity. Through our readings, discussion, and writing, we will explore various approaches to film analysis, with the goal of developing a deeper understanding of formal and thematic issues. A separate unit will consider the postwar development of Japanese animation (anime) and its special characteristics. Screenings will include films by Ozu, Mizoguchi, Kurosawa, Imamura, Kitano, and Miyazaki.
    Humanities.
    1 credit.
    Eligible for ASIA
    Fall 2024. Gardner.
    Catalog chapter: Film and Media Studies
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 058. Film and Place: West African Filmmakers at Home and Abroad


    Crosslisted with LITR 078F.
    The moving image, it is often argued, has a special relationship to time and space, and in this class, we will explore how West African filmmakers explore and represent space by emphasizing place(s), both real and imagined. Using the lens of critical issues in postcolonial film studies, we will consider how to analyze these places by focusing our observations on the built-environment and the natural world; homelands and hostlands; mobility and stillness. Filmmakers studied include Mati Diop (France/Senegal), Sembène Ousmane (Senegal), Abderrahmane Sissako (Mali/Mauritania), Jean-Marie Téno (Cameroon), Apolline Traoré (Burkina Faso), Paulin Soumanou Vieyra (Senegal), among others. This course is open to all students. There are no prerequisites. The course is taught in English.
    Humanities.
    1 credit.
    Eligible for BLST, GLBL-paired.
    Catalog chapter: Film and Media Studies 
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 082. Studies in Genre: Horror


    Considering horror entertainment across different eras and media platforms, this course introduces students to the study of genre through a survey of the many forms taken by fear, disgust, and the uncanny as narrative and spectacle in twentieth- and twenty-first-century moving-image culture. We will draw on approaches ranging from psychoanalysis and gender studies to affect, abjection, and political allegory to explore subtopics such as monstrosity, perversion, and the grotesque; representations of the supernatural and paranormal; body horror and “torture porn”; and the alien as other and self. Required weekly screenings and in-class viewing include movies, television, and video games. Warning: course content may be disturbing and upsetting.
    Prerequisite: FMST 001  or instructor’s permission.
    Humanities.
    1 credit.
    Fall 2024. Rehak.
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 083. Crime Drama


    (Cross-listed as GMST 083 , LITR 083 )
    This course looks at the history and format of the crime drama in film and on television. More than other genres, crime dramas have reflected on societies’ historical blind spots, taboos, and peripheries along with its reigning hierarchies of power, and they have debated foundational ethical parameters amidst ongoing struggles to deal with change, particularly in relation to childhood, gender, race, class, and sexuality. At the same time, shows like CSI have altered television aesthetics and spectatorship in dialogue with new forensic and media-specific technologies: What has made the crime drama such a success in different mediascapes (silent and sound cinema, network TV, cable era, and Netflix)? How have its familiar stock characters, plotlines, settings, and recognizable styles adapted? What accounts for its ability to speak to audiences across different cultural backgrounds while emanating from and representing cultural, national, and regional specificities (Scandinavian crime, American film noir)? How has the genre responded to social activism and debates over the prison-industrial complex? How can we explain serial killer fandom in the convergence era (e.g., Twitter followers responding with likes to a mugshot of a suspected murderer)?
    HU.
    1 credit.
    Fall 2022. Simon.
    Catalog chapter: Film and Media Studies 
    Department website: https://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  • FMST 090. Film and Media Studies Capstone


    This course begins by exploring a major paradigm or debate in the field and reviewing research methodology and production techniques. Students then undertake an individual or collaborative research or creative project (in some cases building upon work started in another class or independent study), meeting to workshop ideas and present works-in-progress. Research projects will incorporate multimedia presentation, and creative projects will be accompanied by written materials. The semester culminates in a panel/film exhibition.
    Required for FMST senior majors and minors.
    Humanities.
    1 credit.
    Spring 2023. White.
    Spring 2024. Rehak.
    Spring 2025. Simon.
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  
  
  
  
  
  • FMST 102. Convergence


    This honors seminar explores the cultures and content of the contemporary mediascape through formal, technological, and political lenses, reading emergent paradigms such as virality, paratextuality, and collective intelligence against equivalent historical moments of media evolution. Particular attention will be paid to the concepts of “the digital”; rhetorics of revolution and continuity; and the intersection of information, entertainment, and capitalism within a dominant episteme of new media. Course majors and other students with relevant background can apply for instructor’s approval to take the seminar.
    Humanities.
    2 credits.
    Eligible for DGHU
    Catalog chapter: Film and Media Studies  
    Department website: http://www.swarthmore.edu/film-media-studies


    Access the class schedule to search for sections.


  

French and Francophone Studies

  
  • FREN 001. Elementary French 1


    This course sequence (FREN 001-002) is intended for students who begin French in college. FREN 001 meets three days per week. Designed to impart an active command of the language, this course is taught in French and combines the study of grammar with listening, writing, reading and oral practice (speaking). The speaking practice and pronunciation workshops (FREN 013 courses: Atelier and Phonétique) are required attachments to this course. Introduction to literary and expository prose, films, and other authentic media are used to enhance students’ language acquisition skills as well as to develop an understanding of the diverse cultures of the French-speaking world. FREN 001 is offered in the fall semester only.
     
    Prerequisite: Students who start in the FREN 001-002 sequence must complete FREN 002 to receive credit for FREN 001.
    Humanities.
    1 credit.
    Fall 2022. Courgey.
    Fall 2023. Jubin.
    Fall 2024. Jubin.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 002. Elementary French 2


    This course is intended for students who may have had a little French prior to college or who are continuing from FREN 001 . FREN 002 meets three days per week. Designed to further develop an active command of the language, this course is taught in French and combines the study of grammar with listening, writing, reading and oral practice (speaking). The speaking practice and pronunciation workshops (FREN 013 courses: Atelier and Phonétique) are required attachments to this course. Introduction to literary and expository prose, films, and other authentic media are used to enhance students’ language acquisition skills as well as to develop an understanding of the diverse cultures of the French-speaking world. FREN 002 is offered fall and spring semesters.
    Prerequisite: Students who start in the FREN 001-002 sequence must complete FREN 002 to receive credit for FREN 001.
    Humanities.
    1 credit.
    Fall 2022. Courgey.
    Spring 2023. Courgey.
    Fall 2023. Courgey.
    Spring 2024. Courgey.
    Fall 2024. Courgey.
    Spring 2025. Courgey.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 003. Intermediate French


    This third semester course is designed to build on the structures learned in elementary FREN 001  and FREN 002  or for students who have studied French prior to college. FREN 003 meets three days per week. It is taught in French. It combines grammar with oral practice (speaking), listening, writing, and reading toward the goal of proficiency. The speaking practice and pronunciation workshops (FREN 013 courses: Atelier and Phonétique) are required attachments to this course. Literature, articles, film, music, and other authentic media produced in French are used to hone language skills and improve communication as well as to provide contexts for understanding the diverse cultures of the French-speaking world. FREN 003 is offered fall and spring semesters.
    Humanities.
    1 credit.
    Fall 2022. Courgey.
    Spring 2023. Jubin.
    Fall 2023. Courgey.
    Spring 2024. Jubin.
    Fall 2024. Courgey.
    Spring 2025. Jubin.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 006. Elementary French Conversation


     

     
    An elementary conversation course concentrating on developing students’ ability to speak French. Only open to students who have had or are currently enrolled in FREN 001, 002, 003, or 014. May be taken twice. Does not count to fulfill major/minor credit requirements.
    Humanities.
    0.5 credit.
    Fall 2022. Jubin.
    Spring 2023. Jubin.
    Fall 2023. Robison.
    Spring 2024. Jubin.
    Fall 2024. Jubin.
    Spring 2025. Jubin.


    Access the class schedule to search for sections.


  
  • FREN 013. L’Atelier: French Oral Production Workshop


    “L’Atelier” (FREN 13.001, 13.002, 13.003) is a mandatory recorded speaking practice workshop attachment to all elementary and intermediate French-language courses that takes place once every two weeks. Several 60-minute sessions will be offered to maximize student participation. It is designed with a dual purpose of reinforcing grammatical structures and thematic vocabulary being studied in the main course and with a view to long-term benefits in terms of enhanced fluency, pronunciation and intonation practice, phonetic accuracy, and general speaking and listening skills. These include increased confidence and autonomy in spoken communication, both in the form of one-way speaking and two-way interaction since many activities simulate real-life dialogues. After being provided with a different online worksheet each time, students will record themselves when ready and submit their recordings electronically. Each student’s audio file will then be graded, and feedback will be provided for content, grammar, and phonetic review. FREN 013 is offered fall and spring semesters.
    Humanities.
    0 credit.
    Fall 2022. Courgey.
    Spring 2023. Courgey.
    Fall 2023. Courgey.
    Spring 2024. Courgey.
    Fall 2024. Courgey.
    Spring 2025. Courgey.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  • FREN 015. Advanced French II: La France et le monde francophone contemporain (W course)


    This course gives students the opportunity to further develop French language skills through the study of articles, essays, and images. Engage in reading, discussing, and writing about cultural and visual texts selected from ads, newspapers, literature, television shows, comic strips, videos, and film from France and the Francophone World. Controverses (textbook) will be used for learning in-depth the art of writing in French. Particular attention will be paid to oral and written communication and cultural analysis. FREN 014  or placement required.
    Humanities.
    Writing Course.
    1 credit.
    Eligible for GLBL-Paired
    Fall 2022. Robison.
    Spring 2023. Yervasi.
    Fall 2023. Gueydan-Turek.
    Spring 2024. Smith.
    Fall 2024. Blanchard.
    Spring 2025. Blanchard.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  • FREN 017A. First-Year Seminar: Literature and Medicine


    (Cross-listed as LITR 017FA )
    Portrayals of doctors provide a great opportunity to discover some classic works of French Literature, including Molière’s The Imaginary Invalid, Flaubert’s Madame Bovary, Proust’s Swann’s Way, and Albert Camus’ The Plague. Other authors studied are Montaigne and Diderot. Students focus their discussions on the relationship with patients when these are seen as both human beings and objects of science. Another topic of interest is how literature can be viewed as therapeutic. Throughout the seminar, we try to understand what had made these works original in their times and a source of admiration up to our days.
    Texts and discussions in English.
    Humanities.
    1 credit.
    Eligible for INTP.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 017B. First Year Seminar: Forms of Exile in the Francophone World


    (Cross-listed as LITR 017FB )
    Exile can be a multi faceted transnational, cultural, political, social journey, which often affect the vision of the here and there of individuals and populations seeking a better life, some type of asylum, a change of landscape, etc. Through readings of (poems, prose, plays, songs, etc.) French writers and artists from the Hexagon and beyond, we will examine issues such as freedom, resistance, social identity, dreams, hopes, differences, transfer of roles, displacement, abandonment, borders, memory, creation, etc., as expressed by Apollinaire, Baudelaire, DuBellay, Césaire, Hugo, Kacimi, Lahens, Levi-Strauss, Ollivier, Saint-John-Perse, Schwarz-Bart, Tadjo, Verlaine, among others.
    Humanities.
    1 credit. 
    Eligible for BLST
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 017C. First Year Seminar: Drawing Conflicts: Comics and Visualizing Political Crises


    (Cross-listed as LITR 017FC )
    Drawing Conflicts is a new course that examines the use of modern fictional and nonfiction graphic novels to represent and bear witness to critical conflicts in recent history, including the Holocaust, the Iranian Revolution, the Palestinian Conflict, the 1982 and 2006 Lebanon Wars, the Rwandan genocide, and the ongoing “refugee crisis.” This course introduces students to the theory and methodology of comics analysis, while exploring current debates on the depiction and memorialization of traumatic history through this highly commercial medium-traditionally associated with lighter content-, and the extent to which these comics promotes human rights in on-going crises. Highlights include Art Spiegelman’s Maus, Marjane Satrapi’s Persepolis, Jean-Philippe Stassen’s Deogratias and graphic works by NGO’s to teach about the plight of refugees.
    Humanities.
    1 credit.
    Eligible for FREN, FMST, PEAC
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: https://www.swarthmore.edu/french-francophone-studies/courses


    Access the class schedule to search for sections.


  
  • FREN 017D. First Year Seminar: The French Philosophical Novel


    (Cross-listed as LITR 017FD )
    [W course conducted in English]. From the eighteenth century to the present day, French literature has a rich tradition of authors who are at once novelists and philosophers. From the Enlightenment tales of Voltaire and Diderot, to the existentialist works of Sartre and Beauvoir, to the relational ontology of Glissant’s postcolonial literary universe, several of the central figures of French letters have turned to the novel both as a platform for showcasing their philosophical systems and as a vessel to give shape and meaning to these very systems. The following course proposes to study the interdependence between the novelistic and philosophical enterprises of these authors in order to explore fundamental questions tied to knowledge, identity, and justice. Authors to include: Voltaire, Denis Diderot, André Gide, Jean-Paul Sartre, Simone de Beauvoir, Monique Wittig, Albert Camus, Edouard Glissant.
    Humanities.
    1 credit.
    Eligible for FREN
    Spring 2023. Robison.
    Fall 2023. Robison.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: https://www.swarthmore.edu/french-francophone-studies/courses


    Access the class schedule to search for sections.


  
  • FREN 017E. First Year Seminar: SPACE/PLACE/BODY: Remapping Inter-American Geographies


    (Cross-listed as LITR 017FE )
    Michel de Certeau exclaims “what the map cuts up, the story cuts across”. We will “remap” the boundaries of the circum-Caribbean through literature, visual art, film, and performance. Equally, we will reconfigure bodies within Inter-American space through the theme of creolization where bodies possess an openness to affect and be affected by others creating a “non-place” that eschews binaries and positionalities. Lastly, we will expand our concept of the “archive” to include magico-spiritual practices including Haitian Vodou, New Orleans Voodoo, conjure/hoodoo, Obeah, Myal, Santería, and Candomblé by considering a diverse range of “artists” including Alexis Pauline Gumbs, Alexis De Veaux, Edwidge Danticat, Natasha Trethewey, Jamaica Kincaid, Olympia Vernon, Erna Brodber, Kerry Young, Marta Morena Vega, Kara Walker, Jean-Michel Basquiat, Mark Bradford and Wifredo Lam.
    Humanities.
    1 credit.
    Fall 2024. Smith.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 018. Manga, Bande Dessinée, and the Graphic Novel: A Transnational Study of Graphic Fictions


    (Cross-listed as LITR 018FJ , JPNS 018 
    This course provides an introduction to the study of three of the most important contemporary graphic literary forms - manga, bandes dessinées, and the graphic novel - and the national and transnational traditions with which they have become associated. Through a careful study of major artists and key works from Japan and the Francophone world, we explore the particular histories, aesthetic evolutions, and social impact of these sequential art forms, both in their specific places of origin and across the globe. We consider how these graphic fictions have managed to mirror and refract major issues of historical trauma, technology and violence, as well as how they question representations of gender, class, race and ethnicity, even as they wield a form of “soft power.” The transnational impact that some works have played will also be explored through a comparative analysis of local and global dissemination, transnational fan communities, non-Japanese-language manga, and transindustrial exchanges. Texts and discussions in English. Students with knowledge of French and/or Japanese may read the works in the original. There is a 0.5 credit French Attachment for students reading in French (FREN 018A ).
    Humanities
    1 credit.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 018A. Attachment: Manga, Bande Dessinée, and the Graphic Novel: A Transnational Study of Graphic Fictions


    (Cross-listed as FREN 018  and LITR 018FJ )
    This course provides an introduction to the study of three of the most important contemporary graphic literary forms - manga, bandes dessinées, and the graphic novel - and the national and transnational traditions with which they have become associated. Through a careful study of major artists and key works from Japan and the Francophone world, we explore the particular histories, aesthetic evolutions, and social impact of these sequential art forms, both in their specific places of origin and across the globe. We consider how these graphic fictions have managed to mirror and refract major issues of historical trauma, technology and violence, as well as how they question representations of gender, class, race and ethnicity, even as they wield a form of “soft power.” The transnational impact that some works have played will also be explored through a comparative analysis of local and global dissemination, transnational fan communities, non-Japanese-language manga, and transindustrial exchanges. Texts and discussions in English. Students with knowledge of French and/or Japanese may read the works in the original. There is a 0.5 credit French Attachment for students reading in French.
    Humanities.
    0.5 credit.


    Access the class schedule to search for sections.


  
  
  
  • FREN 041. Guerre et paix dans la littérature française


    Through a study of the representations of war and peace in French literature from the 19th and 20th centuries, this course examines the evolving attitudes that intellectuals have held towards pacifist ideologies and violent conflicts, as well as the ethical and aesthetic influences that mass violence has had on their writings. The class will approach this topic from a variety of critical perspectives, including (1) studies of the emotional consequences of trauma, mourning, and shame, (2) a study of the interconnection of societal constructions of gender with representations of conflict and peace, and (3) a discussion of the rise of intellectuals in the face of injustice. Works covered will include testimonies, memoirs, fictional literature and popular culture, bringing together authors such as Balzac, Zola, Camus, Sartre, Duras, and Tardi. Taught in French.
    Prerequisite: FREN 015  or instructor permission.
    Humanities.
    1 credit.
    Eligible for PEAC, GSST
    Fall 2022. Gueydan-Turek.
    Spring 2025. Gueydan-Turek.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies/academic-program


    Access the class schedule to search for sections.


  
  
  • FREN 045A. Le monde francophone: Littératures afro-caribéennes


    In this course, we will analyze a selection of key literary texts (novel, short story, poetry, film, visual art and/or theater) by authors from the Francophone Caribbean in their historical and cultural contexts. Francophone Afro-Caribbean literatures are the literary and cultural expression of people from the French-speaking Caribbean including Haiti, Martinique, Guadeloupe, and French Guiana. By exploring the construction of a Caribbean identity through and beyond Négritude, Antillanité, Créolité, feminism/womanism, relation and migration, we will critically engage with selected works by Aimé Césaire, Patrick Chamoiseau, Edouard Glissant, Léon Gontran-Damas, Maryse Condé, Simone Schwarz-Bart, Suzanne Césaire, and many others.
    Prerequisite: FREN 015  or placement required.
    Humanities.
    1 credit.
    Eligible for BLST, GLBL-paired.
    Spring 2023. Smith.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 045B. La France et le Maghreb


    This course examines the relationship between France and the Maghreb, two cultural spaces that are simultaneously united and divided by their common violent colonial history. Through the study of novels, films, art work and theoretical texts, we will trace the evolution of this conflicted relationship from the 1950’s to present times. We will focus, in particular, on the following topics: (post) colonialism and nationalism, diglossia and Francophonie, gendered representation, immigration and exile, transculturation and globalization.
    Humanities.
    1 credit.
    Eligible for ISLM, GLBL-Paired
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 045C. Littératures de la Migration: Disapora, Exile, Retour


    How do chosen and forced migrations produce and disrupt constructions of identity, belonging and homeland? How is “home” imagined, experienced, and remembered through fictional and autobiographical works? What aesthetic strategies are used in works that span multiple worlds? Through novels, graphic novels and films from Algeria, Morocco, Lebanon, and France, from wilful migration to forced displacements, we examine the construction of a Francophone identity, and the possibility of creating nomadic places of memory.
    Humanities.
    1 credit.
    Spring 2024. Staff.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  • FREN 045E. Le monde francophone: Représentation/mémoire/écopoétique de la plantation


    What are the cultural products that fill in the breaks of history for those of us who have come out on this side of the Atlantic remade, remixed, anew? This course seeks to respond to all these questions “seen”, “read”, and “performed” through the vernacular traditions of Middle Passage-descended people in the Americas including the Francophone Caribbean. Equally, we will resignify these para-plantation extensions including swamps, mangroves, other waterways, as well as caves, hills, mountains, forests, jungles and other migratory spheres. These “non-spaces” delineate alternative “geographies” that run adjacent to the enclosed production of space created by the plantocracy and the ways in which they provide modes of transgression, fugitivity, and freedom struggle for the captured body against confinement, surveillance, and bare life logics. These miniscule movements lead to queer lines of flight including maroonage as well as desires for an in-betweenness or “elsewhere” where crossings, migrations, transgressions, transformations, and transmigrations scatter, leak, grow and flow.
    Humanities.
    1 credit.
    Spring 2023. Staff.
    Spring 2025. Smith.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: https://www.swarthmore.edu/french-francophone-studies/courses#


    Access the class schedule to search for sections.


  
  
  • FREN 049. Le roman psychologique du 19è siècle


    The French novel witnessed a series of formal innovations throughout the nineteenth century that went hand in hand with developments in the fields of psychology and psychiatry. In the first half of the century, novelists like Stendhal and Honoré de Balzac revolutionized the novel in ways that allowed for new levels of psychological depth, placing an emphasis on inner monologues, the sometimes-conflicting impulses motivating their characters, and detailed observations of the minutiae of everyday behavior. Building off these aesthetic innovations, novelists of the second half of the century pushed these psychological studies still further, turning directly to (and sometimes against) the work of psychiatrists, neurologists, and criminologists for inspiration-explicit and implicit references to the theories of Charcot, Lombroso, and Krafft-Ebing abound in the pages of the Realist, Naturalist, and Decadent authors constituting the corpus of this class. The following course will explore the dialogue that takes place between literature and psychology throughout the nineteenth century, tracking the novel’s shift from broad depictions of madness to more nuanced psychiatric diagnoses and even sympathetic depictions of various psychological states that speak to contemporary discussions around neurodiversity. Authors include: Chateaubriand, Stendhal, Balzac, Flaubert, Zola, Maupassant, Baudelaire, Rachilde (in addition to excerpts from primary sources of nineteenth-century psychology). 

    Taught in French.
    Prerequisite: Fr 15 or with instructor permission.
    Humanities.
    1 credit.
    Spring 2023. Robison.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  • FREN 051. Littérature et médecine


    We will study portrayals of doctors and their interactions with patients in works by authors such as Molière, Flaubert, and Proust-hence, this course also functions as a general introduction to French literature. What is at stake when physicians interact with patients? How can patients exist both as human beings and as objects of science? We will seek to understand how the dialogue between doctors and patients exists as a text, and how literature can be understood as therapeutic. At the end of the semester, students will meet with a “real,” practicing physician to draw further conclusions from their readings.

    Taught in French.
    Prerequisite: FREN 015  or with instructor permission.
    Humanities.
    1 credit.
    Fall 2023. Blanchard.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  
  
  
  
  • FREN 071. Frictions: Francophone Literature from the Arab World


    We will examine novels from the Arab World, written in French, in order to explore and question francophone literature's ability to reflect, bolster, and interrogate the postcolonial nation. We will discuss (1) evolving notions of diglossia, Francophonie and world literature, and the role that French has come to play in voicing socio-cultural dissatisfaction, (2) how the changing realities of transnational migration challenge the postcolonial nation-state, (3) and the extent to which oppositional discourses run the risk of being commodified and participate in the ‘postcolonial exotic.’ Readings will be drawn from across the Maghreb, with particular attention paid to new voices that were catalyzed by periods of political unrest, including the Algerian war of Liberation, its decade-long civil war, the “Lead years” in Morocco and the 2011 Tunisian revolution.

    Taught in English.
    Humanities.
    1 credit.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  
  • FREN 073. Postwar France: French New Wave


    Crosslisted with LITR 073F  and FMST 052 .
    This course is an in-depth exploration of the development and evolution of the French New Wave in postwar France. We will concentrate on the history of the New Wave in France from the 1950s through the late 1960s by the close study of the styles of individual filmmakers, the “film movement” as perceived by critics, and the New Wave’s contribution to modernizing France. The primary emphasis will be on the stylistic, socio-political, and cultural dimensions of the New Wave,
    and the filmmakers and critics most closely associated with the movement. Directors who were once all film critics for the magazine Cahiers du Cinéma will be studied along side other important filmmakers of the era.

    Taught in English.
    Humanities.
    1 credit.
    Eligible for GLBL-paired
    Fall 2022. Yervasi.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  • FREN 074. The Shadow of the Enlightenment


    (Cross-listed as LITR 074F )
    The following course offers a critical examination of the central ideas guiding the French Enlightenment, paying particularly close attention to the notion of “otherness” underlying the Enlightenment project-that is, that which is facilely left out in the eighteenth century’s valorization of reason. In opposition to the Enlightenment idea of the rational man is the irrational animal, a binary that materialist thinkers like La Mettrie and Condillac are quick to blur; in opposition to the Declaration of the Rights of Man and of the Citizen (the crowning civil rights document from the French Revolution) is Olympe de Gouges’ Declaration of the Rights of Woman and of the Female Citizen, a text that criticizes eighteenth-century gender inequalities; in opposition to the Enlightenment’s enormous blind spots surrounding race is Claire de Duras’ Ourika, a novel that decries the pervasive racism of the eighteenth century. Throughout the semester, we will study the novels, essays, and dialogues that shape the major ideas of the Enlightenment (and the revolutionary modes of thinking that accompany it), while also studying that which lies in the shadow of the Enlightenment. Authors include: Voltaire, Diderot, Rousseau, Condillac, La Mettrie, Gouges, Duras.

    (Conducted in English. Texts in translation.)

    Students with knowledge of French may read the works in the original. There is a 0.5 credit French Attachment FREN 074A  for students reading in French.
    Humanities.
    1 credit.
    Spring 2024. Staff
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: https://www.swarthmore.edu/french-francophone-studies/courses


    Access the class schedule to search for sections.


  
  
  
  
  
  • FREN 104. Honors Seminar: La littérature et les sciences de la vie au 19e siècle


    This course will explore the 19th-century French novel’s manifold engagement with contemporaneous life sciences in order to track how the literary practices of the period were shaped by the century’s rapidly shifting biological paradigms. The course material is threefold: 1) it will consider primary sources of 19-century life sciences (from Jean-Baptiste de Lamarck’s early evolutionary model of transformism, to Claude Bernard’s experimental physiology, to Charles Darwin’s theory of natural selection); 2) it will draw from a collection of novelists, all of whom made extensive implicit and explicit references to the sciences of their day (texts by Saint-Pierre, Sand, Balzac, Zola, Rachilde, and Flaubert); and 3) it will rely upon a wide range of critical lenses coming from present-day scholarship in ecocriticism/ecofeminism, animal studies, postmodern philosophy, and critical histories of science (excerpts of texts by Foucault, Deleuze, Haraway, Latour, Thiher, and Weil). Taught in French.
    Prerequisite: Advanced content course in French or instructor’s approval.
    Humanities.
    2 credits.
    Fall 2022. Robison.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  
  • FREN 109. Honors Seminar: Queering North African Subjectivities


    This seminar will explore the ways in which literary, visual and cultural representations of sexual difference and gender roles disrupt the cultural imagination of everyday life in North Africa and its Diasporas in France. Special attention will be given to representations of Arab women and queer subjectivities as sites of resistance against dominant masculinity. We will analyze the ways in which representations of gender have allowed for a redeployment of power, a reconfiguration of politics of resistance, and the redrawing of longstanding images of Islam in France. Finally, we will question how creations in French that straddle competing cultural traditions, memories, and material conditions can queer citizenship.
    Advanced content course or instructor’s approval.
    Humanities.
    2 credits.
    Eligible for ISLM, GSST
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  • FREN 115. Honors Seminar: Representation of Blackness in Francophone


    What is blackness in France? How can it exist as a category (whether real or imagined) in a space where race technically does not exist? In this course we will explore these questions through a close consideration of the cultural production including literature, visual art, history, culture, and politics emanating from or dealing with ‘Black France’. The texts presented/examined in this course will consider “race” as both fact and fantasy in socio-historical relationship between the metropolitan France, its DOM-TOM periphery and the wider French colonial empire. Taught in French.
    Prerequisite: Advanced content course in French or instructor’s approval.
    Humanities.
    2 credits.
    Fall 2023. Smith.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • FREN 116. La Pensée géographique


    Cartography, psychogeography, rhizomes, and so much more! How and why do philosophical and critical thinkers rely on spatial and geographical metaphors to work through some of their more complex ideas? How might some of these metaphors become models for understanding and analyzing texts? In this course, we will explore some of the central ideas behind this spatial turn in theory and criticism in conjunction with the study of French and Francophone texts: from medieval explorers and maps of early France and French empire to Situationism, poststructuralism, and postcolonialism.
    May be taken for 1 credit with permission of the instructor.
    Humanities.
    2 credits.
    Eligible for INTP
    Fall 2024. Yervasi.
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  • LITR 017FA. First Year Seminar: Literature and Medicine


    (Cross-listed as FREN 017A )

     
    Portrayals of doctors provide a great opportunity to discover some classic works of French Literature, including Molière’s The Imaginary Invalid, Flaubert’s Madame Bovary, Proust’s Swann’s Way, and Albert Camus’ The Plague. Other authors studied are Montaigne and Diderot. Students focus their discussions on the relationship with patients when these are seen as both humans beings and objects of science. Another topic of interest is how literature can be viewed as therapeutic. Throughout the seminar, we try to understand what had made these works original in their times and a source of admiration up to our days. Texts and discussions in English.
    Humanities
    1 credit.
    Eligible for INTP
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation  
    Department website: https://www.swarthmore.edu/modern-languages-literatures

     


    Access the class schedule to search for sections.


  
  • LITR 017FB. First-Year Seminar: Forms of Exile in the Francophone World


    (Cross-listed as FREN 017B 
    Exile can be a multi faceted transnational, cultural, political, social journey, which often affect the vision of the here and there of individuals and populations seeking a better life, some type of asylum, a change of landscape, etc. Through readings of (poems, prose, plays, songs, etc.) French writers and artists from the Hexagon and beyond, we will examine issues such as freedom, resistance, social identity, dreams, hopes, differences, transfer of roles, displacement, abandonment, borders, memory, creation, etc., as expressed by Apollinaire, Baudelaire, DuBellay, Césaire, Hugo, Kacimi, Lahens, Levi-Strauss, Ollivier, Saint-John-Perse, Schwarz-Bart, Tadjo, Verlaine, among others.
    Humanities.
    1 credit.
    Eligible for INTP, BLST
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: https://www.swarthmore.edu/french-francophone-studies/courses


    Access the class schedule to search for sections.


  
  • LITR 017FC. First Year Seminar: Drawing Conflicts: Comics and Visualizing Political Crises


    (Cross-listed as FREN 017C )
    Drawing Conflicts is a new course that examines the use of modern fictional and nonfiction graphic novels to represent and bear witness to critical conflicts in recent history, including the Holocaust, the Iranian Revolution, the Palestinian Conflict, the 1982 and 2006 Lebanon Wars, the Rwandan genocide, and the ongoing “refugee crisis.” This course introduces students to the theory and methodology of comics analysis, while exploring current debates on the depiction and memorialization of traumatic history through this highly commercial medium-traditionally associated with lighter content-, and the extent to which these comics promotes human rights in on-going crises. Highlights include Art Spiegelman’s Maus, Marjane Satrapi’s Persepolis, Jean-Philippe Stassen’s Deogratias and graphic works by NGO’s to teach about the plight of refugees.
    Humanities.
    1 credit.
    Eligible for FREN
    Fall 2023. Gueydan-Turek.
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation   
    Department website: https://www.swarthmore.edu/modern-languages-literatures/courses-taught-english-0


    Access the class schedule to search for sections.


  
  • LITR 017FD. First Year Seminar: The French Philosophical Novel


    (Cross-listed as FREN 017D )
    From the eighteenth century to the present day, French literature has a rich tradition of authors who are at once novelists and philosophers. From the Enlightenment tales of Voltaire and Diderot, to the materialist metaphysics underlying Balzac’s Realism, to the existentialist works of Sartre and Beauvoir, to the relational ontology of Glissant’s postcolonial literary universe, several of the central figures of French letters have turned to the novel both as a platform for showcasing their philosophical systems and as a vessel to give shape and meaning to these very systems. The following course proposes to study the interdependence between the novelistic and philosophical enterprises of these authors in order to explore fundamental questions tied to knowledge, identity, and justice. Authors include: Voltaire, Diderot, Balzac, Gide, Camus, Sartre, Beauvoir, Glissant.

    (Conducted in English. Texts in Translation.)
    Humanities.
    1 credit.
    Eligible for FREN
    Spring 2023. Robison.
    Fall 2023. Robison.
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation   
    Department website: https://www.swarthmore.edu/modern-languages-literatures/courses-taught-english-0


    Access the class schedule to search for sections.


  
  • LITR 017FE. First Year Seminar: SPACE/PLACE/BODY: Remapping Inter-American Geographies


    (Cross-listed as FREN 017E )
    Michel de Certeau exclaims “what the map cuts up, the story cuts across”. We will “remap” the boundaries of the circum-Caribbean through literature, visual art, film, and performance. Equally, we will reconfigure bodies within Inter-American space through the theme of creolization where bodies possess an openness to affect and be affected by others creating a “non-place” that eschews binaries and positionalities. Lastly, we will expand our concept of the “archive” to include magico-spiritual practices including Haitian Vodou, New Orleans Voodoo, conjure/hoodoo, Obeah, Myal, Santería, and Candomblé by considering a diverse range of “artists” including Alexis Pauline Gumbs, Alexis De Veaux, Edwidge Danticat, Natasha Trethewey, Jamaica Kincaid, Olympia Vernon, Erna Brodber, Kerry Young, Marta Morena Vega, Kara Walker, Jean-Michel Basquiat, Mark Bradford and Wifredo Lam.
    Humanities.
    1 credit.
    Fall 2024. Smith.
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation  
    Department website: https://www.swarthmore.edu/modern-languages-literatures


    Access the class schedule to search for sections.


  
  • LITR 018FJ. Manga, Bande Dessinée, and the Graphic Novel: A Transnational Study of Graphic Fictions


    (Cross-listed as JPNS 018 FREN 018 )
    This course provides an introduction to the study of three of the most important contemporary graphic literary forms - manga, bandes dessinées, and the graphic novel - and the national and transnational traditions with which they have become associated. Through a careful study of major artists and key works from Japan and the Francophone world, we explore the particular histories, aesthetic evolutions, and social impact of these sequential art forms, both in their specific places of origin and across the globe. We consider how these graphic fictions have managed to mirror and refract major issues of historical trauma, technology and violence, as well as how they question representations of gender, class, race and ethnicity, even as they wield a form of “soft power.” The transnational impact that some works have played will also be explored through a comparative analysis of local and global dissemination, transnational fan communities, non-Japanese-language manga, and transindustrial exchanges. Texts and discussions in English. Students with knowledge of French and/or Japanese may read the works in the original.
    There is a 0.5 credit French Attachment for students reading in French (FREN 018A ).
    Humanities.
    1 credit.
    Eligible for GLBL-Paired
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation  
    Department website: http://www.swarthmore.edu/modern-languages-literatures


    Access the class schedule to search for sections.


  
  
  • LITR 071F. Beyond Tintin: Contemporary French Graphic novels


    This course examines how contemporary graphic novels in French and their aesthetic innovations have helped translate and magnify serious and pressing questions that continue to shape political and social life in France and the world at large. Our readings will address themes ranging from the haunting colonial legacy and the wars in the Middle East to the quest for visibility by immigrants and LGBTQ individuals. Finally, we will analyze how visual adaptations-whether cinematic adaptations of graphic novels or graphic adaptations of movies and novels-reshape their original sources and adapt them to a new purpose.
    Taught in English. 0.5 credit attachment for students reading in French.
    Humanities.
    1 credit.
    Eligible for FREN
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation  
    Department website: http://www.swarthmore.edu/modern-languages-literatures


    Access the class schedule to search for sections.


  
  
  • LITR 073F. Postwar France: French New Wave


    (Cross-listed as FREN 073  and FMST 052 )
    This course is an in-depth exploration of the development and evolution of the French New Wave in postwar France. We will concentrate on the history of the New Wave in France from the 1950s through the late 1960s by the close study of the styles of individual filmmakers, the “film movement” as perceived by critics, and the New Wave’s contribution to modernizing France. The primary emphasis will be on the stylistic, socio-political, and cultural dimensions of the New Wave, and the filmmakers and critics most closely associated with the movement. Directors who were once all film critics for the magazine Cahiers du Cinéma will be studied along side other important filmmakers of the era.
    Taught in English. 0.5 credit attachment for students reading in French.
    Humanities.
    1 credit.
    Eligible for FMST, GLBL-paired
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation  
    Department website: http://www.swarthmore.edu/modern-languages-literatures


    Access the class schedule to search for sections.


  
  
  • LITR 078F. Film and Place: West African Filmmakers at Home and Abroad


    Crosslisted with FMST 058  .
    The moving image, it is often argued, has a special relationship to time and space, and in this class, we will explore how West African filmmakers explore and represent space by emphasizing place(s), both real and imagined. Using the lens of critical issues in postcolonial film studies, we will consider how to analyze these places by focusing our observations on the built-environment and the natural world; homelands and hostlands; mobility and stillness. Filmmakers studied include Mati Diop (France/Senegal), Sembène Ousmane (Senegal), Abderrahmane Sissako (Mali/Mauritania), Jean-Marie Téno (Cameroon), Apolline Traoré (Burkina Faso), Paulin Soumanou Vieyra (Senegal), among others. This course is open to all students. There are no prerequisites. The course is taught in English.
    Humanities.
    1 credit.
    Eligible for BLST, GLBL-paired
    Catalog chapter: Modern Languages and Literatures: Literatures in Translation  
    Department website: http://www.swarthmore.edu/modern-languages-literatures


    Access the class schedule to search for sections.


  

French and Francophone Studies - Seminars

  
  • FREN 111. Désir (post)colonial


    This course addresses how the colonial encounter has shaped modern perceptions of race, ethnicity, gender, and sexuality through the production, circulation and consumption of deformed images of its colonial subjects. From noble savages and whimpering slaves to hideous monsters and seductive harem girls, we will examine the dynamics of representation embedded in colonial narrations and visual constructions of the “Other,” focusing on conceptualizations of power as they relate to race, sexual politics and the gendering of the colonial subject. Primary texts include literature of the slave trade, orientalist fictions and photographs, colonial films, museum exhibitions and world’s fairs, and contemporary works of fiction that deal with the legacy and sometimes continue the colonial desire.
    Has a Francophone component. May be taken for 1 credit with permission from the instructor.
    Humanities.
    2 credits.
    Eligible for BLST, ISLM, GSST, GLBL - Paired
    Catalog chapter: Modern Languages and Literatures: French and Francophone Studies  
    Department website: http://www.swarthmore.edu/french-francophone-studies


    Access the class schedule to search for sections.


  
  
  
  

German Studies

  
  • GMST 001. Intensive Elementary German


    Students who start in the GMST 001-GMST 002  sequence must complete GMST 002  to receive credit for 001.

    For students who begin German in college, this course is designed to develop active use of the language. The class combines intensive practice in listening, speaking, writing and reading with the study of grammar.  Authentic materials (texts, videos, music) familiarize students with the culture of German-speaking countries.

    This 1 credit class is team-taught and meets on Mondays, Tuesdays, Thursdays, and Fridays. Students are also expected to attend the weekly German language table each Wednesday.
    Humanities.
    1 credit.
    Fall 2022. Werlen, Schnader.
    Fall 2023. Werlen, Schnader.
    Fall 2024. Werlen, Schnader.
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: http://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  • GMST 002. Intensive Elementary German


    This class is the continuation of GMST 001  and also for students who placed into the second semester.

    Second semester German continues to develop core language skills (listening, speaking, reading, and writing).  Regular engagement with authentic texts, videos, and music from Germany, Switzerland, and Austria further enhances cultural competency.

    This 1 credit class is team-taught and meets on Mondays, Tuesdays and Thursdays, with an optional individual tutorial on Wednesdays. Students are also expected to attend the weekly German language table each Friday.
    Humanities.
    1 credit.
    Spring 2023. Werlen, Schnader.
    Spring 2024. Werlen, Schnader.
    Spring 2025. Werlen, Schnader.
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: http://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  • GMST 003. Intensive Intermediate German


    This class is for students who completed the GMST 001 -GMST 002  sequence and those who place into the third semester.

    Expanding and reviewing core language skills, the course integrates intermediate-level reading, listening, and viewing materials with more advanced writing practice.

    This 1 credit class meets on Mondays, Wednesdays and Fridays, with an additional tutorial on Tuesday. Students are required to attend at least two of the weekly German language tables each month (on Mondays in the DCC).
    Humanities.
    1 credit.
    Fall 2022. Meirosu, Schnader.
    Fall 2023. Hicke.
    Catalog chapter: Modern Languages and Literatures: German Studies  

     
    Department website: http://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  
  
  • GMST 007. Hot off the Press: Current Headlines from a German Perspective


    (Cross-listed as LITR 007 )
    This half-credit course invites students to explore the urban culture of Berlin, a European hotspot for politics, the arts, media, high-tech start-ups, and clubbing. Venturing beyond the capital, students then examine facets of Germany’s contemporary cultural, social, and political landscape.

    Students will help select specific topics for readings, discussions, and presentations, and participants interested in developing their German language skills will have the opportunity to engage with relevant texts and media in German. Taught in English.
    .5 credit.
    Eligible for LITR
    Spring 2025. Schnader.
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: https://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  • GMST 008. Texts in Context: Topics in German Culture and Society from the Reformation until Today


    This fourth-semester course is designed to advance linguistic skills through engagement with a specific topic. Studying literary, artistic, journalistic, and historical sources, students enhance their analytical, writing, and communication skills. This course is the gateway to all upper level courses in the German Studies curriculum. Topics alternate every year.

    Topic for S’24: Freundschaft/Friendship

    Ready to further develop your German language skills while exploring German culture through the lens of friendship? 

    Critical engagement with literary and philosophical texts, music, film, news, podcasts, and social media will not only enhance your analytical and communication skills, but also allow you to examine how concepts of friendship and “freundschaftliche” relationships - from German classicism and romanticism to children’s books and the “11 Freunde” on today’s soccer fields - intersect with issues of race, gender, and sexuality, and continue to shape German-speaking communities. 

    Along with a review and expansion of German grammar, this fourth-semester course serves as a gateway to the upper-level German Studies curriculum.

    Topic for S’25: Nature and Ecology in German Culture
    Prerequisite: GMST 003  or Placement Test Score between 425-525.
    Humanities.
    1 credit.
    Eligible for GSST
    Spring 2023. Schnader.
    Spring 2024. Schnader.
    Spring 2025. Meirosu.
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: http://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  • GMST 017. First Year Seminar: Testimonial Literature


    (Cross-listed as LITR 017G )

     
    This course explores the notion of testimony as an important aspect of a literature of resistance. We investigate how testimony intertwines with questions of writing and truth, and creates a response to cultural violence. Students read theories and literature of resistance and testimony in a wide-ranging selection of time periods and cultures, from the formation of a philosophical and religious idea of testimony in antiquity (Greek and Judeo-Christian traditions) to its later development in the theories of Emmanuel Levinas. We will also study the emergence of the literary notion of testimony by analyzing works of poetry, narrative, and film, with a particular focus on Jewish responses to the Shoah, and Latin American and Latino responses to political and social repression.
    Humanities.
    1 credit.
    Eligible for PEAC
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: https://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  • GMST 020. Tpcs in GMST I: Literature and Cultural Context


    Topic F’23: Introduction to German Studies: What makes a literary Canon? 

    Topic F’24: Unerhörte Begebenheiten: Erzählungen und Novellen

    This fifth semester class explores key moments in the literary history of Germany (and other German-speaking countries) by reading a series of
    canonical texts within their socio-cultural and historical context. The class emphasizes reading and writing skills and critical engagement with and
    questioning of the texts read in the class.
    Prerequisite: GMST 008  or Placement Test Score of 550 and above.
    Humanities.
    1 credit.
    Eligible for GLBL-Paired
    Fall 2022. Werlen.
    Fall 2023. Werlen.
    Fall 2024. Werlen.
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: http://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


  
  • GMST 026. Popular Music and Media


    (Cross-listed as FMST 026 , LITR 026 , MUSI 005E )
    What do classical music, teenie bop, soul, battle rap, and jazz have in common? Philadelphia. This team-taught interdisciplinary course investigates the histories, structures and cultural connections between popular music and other media in the city of Philadelphia. What links sound, image, and place? How do musical expressions and genres interact with urban life at specific junctures in Philadelphia history? How do modes of production and exhibition formats (radio vs. television, club v.s stadium) along with distribution venues (record store vs. Spotify) engage with genre, gender, and race configurations? What lies at the intersection of regional, national, and global fan cultures? How does celebrity culture then and now impact what is popular and how does it affect Philadelphia’s music industry and vice versa? Providing a grounding in music and media history and theory, we will research and analyze mainstream and independent Philadelphia-specific case studies in radio, film, theater, television and social media in order to better understand and engage with the complex webs that characterize contemporary media, its production, and its consumption. Student projects will explore the intersections and interactions between individuals, ethnic and racial groups, established and new Philadelphians, city government, region, empire, and nation that have and continue to shape Philadelphia through the music and media created here. This course will be taught in Philadelphia.

    Core class in the Tri-Co Philly Program
    Humanities.
    1 credit.
    Spring 2023. Blasina. Simon.
    Catalog chapter: Modern Languages and Literatures: German Studies  
    Department website: https://www.swarthmore.edu/german-studies


    Access the class schedule to search for sections.


 

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