College Bulletin 2022-2023 [ARCHIVED CATALOG]
Course Search
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Educational Studies |
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Educational Studies - Seminars |
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EDUC 152. Researching Immigration and Education In this collaborative research seminar, students will study intersections between immigration and education policy and practice in the United States, with a focus on methodology. By exploring key topics, theoretical frameworks, and research methodologies that have shaped this field, students will develop an understanding of how immigration policies impact the everyday experiences and future prospects of immigrant youth at different ages and educational stages in the United States, from childhood through higher ed. All students in the seminar will join an ongoing research project related to immigration and education, thereby learning key skills in qualitative and mixed-method data collection, analysis, and communication, including special considerations in conducting research with immigrant youth and families in the U.S. and transnationally. Prerequisite: EDUC 014 or EDUC 014F Pedagogy and Power: Introduction to Education.
Recommended: One or more courses related to immigration (e.g. EDUC 053 or other courses) as well as an introductory research methods course in the social sciences (e.g. EDUC 065 ). Students without this background should reach out to the professor ahead of enrolling. Social Sciences. 1 or 2 credits. Eligible for GLBL-paired, LALS. Fall 2023. Allard.
Access the class schedule to search for sections.
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EDUC 166. College for All? Challenges in Higher Education. In this seminar, students will examine institutions of higher education as spaces within which individuals and social structures are both reproduced and recreated. Questions to be explored include: How has the history of US postsecondary education shaped the present? What are the goals of the many different forms of postsecondary institutions? Who has access - and who controls that access? How do institutional structures and cultures impact student learning, student identity, and student experience? The seminar will focus explicitly on how institutions and student experiences are shaped by the intersections of race, class, gender, sexual orientation.
Prerequisite: EDUC 014 Pedagogy and Power: Introduction to Education Prerequisite: EDUC 014 Social science. Writing course. 2 credits. Fall 2022. Smulyan. Catalog chapter: Educational Studies Department website: https://www.swarthmore.edu/educational-studies
Access the class schedule to search for sections.
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English Literature - Academic Writing Courses |
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ENGL 001C. Writing Pedagogy (Cross-listed as EDUC 001C ) This seminar serves as the gateway into the Writing Associates Fellowship Program (WAs). Students are introduced to the theory and pedagogy of composition studies and the concept of reflective practice. The seminar asks students to connect theory with practical experience when assessing how best to engage with different student writers and different forms of academic prose.
Open only to those selected as Writing Associates. Meets distribution requirements but does not count toward the major.
Graded CR/NC.
Humanities. Writing course. 1 credit. Fall 2022. Mera Ford Fall 2023. Newmann Holmes Catalog chapter: English Literature Department website: http://www.swarthmore.edu/english-literature
Access the class schedule to search for sections.
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English Literature - First-Year Seminars and Writing Courses |
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ENGL 009H. First-Year Seminar: Portraits of the Artist We will study works portraying artists in a variety of media, seeking a critical understanding of the ways in which artists in different times and places have interacted with their societies. We’ll also seek to answer broader questions:
- What is cultural studies?
- How can we ask better questions about how a particular story-world creates meaning?
- In what ways are artists part of their place & time, yet also able to imagine worlds that may resonate with audiences in very different eras?
- How does literature inspire critical thinking and imagining a different future?
Here are some of the materials for the Fall 2022 syllabus:
- “How 17 Outsize Portraits Rattled a Small Southern Town/ Newnan, Ga., decided to use art to help the community celebrate diversity and embrace change. Not everyone was ready for what they saw.”/ Artist featured: Mary Beth Meehan NYTimes, Jan. 20, 2020.
- Lin-Manuel Miranda, the music & lyrics for “Breathe” from In the Heights (2008); ”My Shot” from Hamilton (2015); and “Surface Pressure” from Encanto (2021).
- Hope Boykin, choreographer: ”It’s OK too. Feel” (dance during 2020 quarantine).
- Ghost in the Shell (film, 1995) based on the manga of the same name by Masamune Shirow; screenplay by Kazunori Itō; directed by Mamoru Oshii.
- A short story/portrait of the artist as a young woman by Sandra Cisneros, from Woman Hollering Creek (1991).
- Philip Pullman, The Golden Compass (first novel in the His Dark Materials trilogy, 1995, also made into an HBO series).
- Janelle Monáe, Dirty Computer 2019 “emotion picture”/music video.
- Poems by Audre Lorde, Ada Limón, and Franny Choi.
- A brilliant short parable by Jorge Luis Borges.
Also to be assigned will be selected background and critical materials. All of the assigned and optional readings/viewing will be available on the course’s Moodle website, with the exception of Pullman’s novel The Golden Compass (available from the Bookstore).
Humanities. Writing course. 1 credit. Fall 2022. Schmidt. Fall 2024. Schmidt. Catalog chapter: English Literature Department website: http://www.swarthmore.edu/english-literature
Access the class schedule to search for sections.
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ENGL 009R. First-Year Seminar: Grendel’s Workshop This course will be a study of several traditional literary texts and of modern reshapings of these old stories into new artistic forms. Pairings of old and new will include various versions of Cinderella/Ashputtle, Little Red Riding Hood, Beowulf and Gardner’s Grendel, and Shakespeare’s Hamlet and Stoppard’s Rosencrantz and Guildenstern Are Dead. There will be both critical and creative writing assignments in the class.
John Gardner rewrote the ancient epic Beowulf in modern idiom from the monster’s viewpoint. Tom Stoppard showed us what Rosencrantz and Guildenstern were up to offstage in Shakespeare’s Hamlet. Angela Carter’s Red Riding Hood was fascinated by the company of wolves. Students will study old texts and their modern revisions and then write both critical papers about the them and also, using the re-telling models as starting points, reshape their own beautiful or beastly visions in creative writing forms. Here are some retelling slants: What is the story of the rat in Cinderella who is turned into a coachman? What is Ophelia dreaming in Hamlet as she slides into the netherworld of drowning and death? What is the mute lullaby which Grendel’s mother uses to sing him (or herself) to sleep in her underwater cave each night? What might the wolf in LRRH and Grendel have to say to one another over cappuccino in Kohlberg? This First-year Seminar counts as both a Writing Class (W) and an English Dept. Creative Writing workshop. Humanities Writing course. Fall 2022. Williamson. Fall 2023. Williamson. Fall 2024. Williamson. Catalog chapter: English Literature Department website: https://www.swarthmore.edu/english-literature
Access the class schedule to search for sections.
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English Literature - Medieval and Renaissance |
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English Literature - 18th and 19th Century |
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ENGL 051F. Moby-Dick Hailed as a masterpiece of U.S. fiction, Herman Melville’s Moby-Dick; or, The Whale (1851) is a genre-defying work that pulls epic, romantic, dramatic, scientific, and historiographic forms into its literary vortex. The cosmic scope and metaphysical complexity of this text have enthralled, and sometimes left stranded, many an intrepid reader. Members of this course will embark on a semester-long study of a text that has become a key touchstone for writers, artists, philosophers, and political thinkers alike. Guided by their own close-readings of Moby-Dick and selected contemporaneous texts drawn from their own archival research, students will engage with the historical and cultural contexts in which the novel was written, including the proliferation of new forms of print media, the rise of industrial capitalism, continuing processes of enslavement and indigenous dispossession, and U.S. expansionist efforts across the hemisphere and the globe. At once a rigorous and irreverent meditation on literary form and knowledge-production, Moby-Dick will serve as a crucial point of departure for students’ own critical explorations in and beyond the major.
Students should have completed strong work in prior classes in cultural studies, U.S. literature, history, and/or theory (including colonial/postcolonial studies), preferably including both at least one mid-level English literature course and an advanced course in other humanities or social sciences departments or interdisciplinary programs.
Limited to 15 students. For English Literature majors and minors, this course will count as an 18th/19th century course towards the historical distribution requirements. Humanities. 1 credit. Catalog chapter: English Literature Department website: https://www.swarthmore.edu/english-literature
Access the class schedule to search for sections.
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ENGL 071B. The Lyric Poem in English English 071B is a survey of the lyric poetry in English from the Middle Ages up to the present, along with a few works read in translation. Students will learn the basics in understanding and enjoying the music of poetry, including scansion and prosody (beats and sounds). They will also learn to appreciate the basic forms of lyric poetry, including ballads and sonnets and many other forms, as well as “free” verse; they will also receive instruction on how to appreciate metaphors, irony, and the many other figures of speech and rhetorical techniques poems employ. They will also gain appreciation of poetic history and the many ways in which poets and their work have historically interacted with their eras, while also creating work that can powerfully speak to us in our present moment.
We’ll use The Making of a Poem: A Norton Anthology of Poetic Forms (Ed. Mark Strand and Eavon Boland) and Camille Paglia’s Break, Blow, Burn, a collection of essays on some of the most famous poems in English. Other course materials will be posted as needed on the English 71B Moodle site.
This course is focused on great poems from the past (from the medieval era to the twentieth century), but both Making of a Poem and Paglia treat us to some very contemporary poems and poets as well. For majors and minors, this course can count either as a Med/Ren, 18th/19th, or 20th/21st century course, depending on the topics of the majority of the student’s written work. Discuss your options with the professor.
GATEWAY English Literature. Humanities. Writing course. 1 credit. Catalog chapter: English Literature Department website: https://www.swarthmore.edu/english-literature
Access the class schedule to search for sections.
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English Literature - 20th and 21st Century |
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