College Bulletin 2022-2023 [ARCHIVED CATALOG]
Course Search
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Classical Studies |
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CLST 091. Classical Studies Capstone: Interpreting the Classical Tradition: Neoclassicism and Romanticism ARTH 098 INTP 091 This course will focus on conceptions of the “Classical” during the artistic and literary movements known as Neoclassicism (1750-1850) and Romanticism (1800-1850). Neoclassicism was a period of new attitudes towards Greco-Roman antiquity that were stimulated by archaeological discoveries extending from Italy and the Mediterranean to Egypt and the Near East. Whereas Neoclassicism interpreted the “Classical” as calm and restrained in feeling and clear and complete in expression, Romanticism subsequently viewed antiquity differently and as characterized by a highly imaginative and subjective approach, emotional intensity, and a dreamlike or visionary quality.
Seminar topics will include: art, architecture, decorative arts and aesthetics, mythology and religion, philosophy, literature, education and the academy, cultural and political debates, archaeology, and translation.
We will consider the works of philosophers and political thinkers such as: Winkelmann, Handel, Gluck, Pope, Shelley, Keats, Byron, Schliemann, Goethe and Hegel.
We will consider the works of artists and architects such as: Jacques-Louis David, Piranesi, Robert Adam, Blake, Angelica Kauffman, Ingres, Hamilton, Benjamin West, Canova, Flaxman, and Nash. CLST course majors planning to use CLST 091 and CLST 091A as their required capstone must enroll in both sections. Humanities. 1 credit. Eligible for ARTH, CLST, INTP Spring 2024. Ledbetter. Reilly. Catalog chapter: Classics Department website: http://www.swarthmore.edu/classics
Access the class schedule to search for sections.
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CLST 091A. Classical Studies Capstone: Interpreting the Classical Tradition: Neoclassicism and Romanticism Attachment ARTH 098 INTP 091 This course will focus on conceptions of the “Classical” during the artistic and literary movements known as Neoclassicism (1750-1850) and Romanticism (1800-1850). Neoclassicism was a period of new attitudes towards Greco-Roman antiquity that were stimulated by archaeological discoveries extending from Italy and the Mediterranean to Egypt and the Near East. Whereas Neoclassicism interpreted the “Classical” as calm and restrained in feeling and clear and complete in expression, Romanticism subsequently viewed antiquity differently and as characterized by a highly imaginative and subjective approach, emotional intensity, and a dreamlike or visionary quality.
Seminar topics will include: art, architecture, decorative arts and aesthetics, mythology and religion, philosophy, literature, education and the academy, cultural and political debates, archaeology, and translation.
We will consider the works of philosophers and political thinkers such as: Winkelmann, Handel, Gluck, Pope, Shelley, Keats, Byron, Schliemann, Goethe and Hegel.
We will consider the works of artists and architects such as: Jacques-Louis David, Piranesi, Robert Adam, Blake, Angelica Kauffman, Ingres, Hamilton, Benjamin West, Canova, Flaxman, and Nash. This is the attachment which must be taken by CLST course majors planning to use this preparation with CLST 091 to fulfill their capstone requirement for two credits. Corequisite: CLST 091 Humanities. 1 credit. Eligible for ARTH, CLST, INTP Spring 2024. Ledbetter. Reilly. Catalog chapter: Classics Department website: http://www.swarthmore.edu/classics
Access the class schedule to search for sections.
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Classics - Honors Seminars and Capstone Seminars |
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Cognitive Science |
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Comparative Literature |
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Computer Science |
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CPSC 016SR. StuRun:Critical Theory of Technology When we take away the technical, coding aspects of Computer Science, what’s left? This course aims to explore this question through a holistic pedagogical approach to the questions that aspiring computer scientists as well as users of technology must confront. What are the detrimental effects of the ways in which exponential production and use of technical products come to reinforce inequalities around the globe? What are the beauties and blooming potentials of the digital age? How can we come to oscillate within that dyadic tension of criticism and hope? How can conversations about tech colonialism, disability theory, critical race theory, etc. come to enhance our understanding about who is propelling the trajectory and direction of where technology is headed?
This course will also heavily integrate trauma-based pedagogy as well as the space to reflect on one’s own educational experiences at Swarthmore College. Clearly this is a unique course style. How can we take agency in the type and modes of learning that serve our best interests? What is information worth paying attention to and how can we form spaces of community to have these conversations? https://www.cs.swarthmore.edu/courses/CS16/F21/
Role of Student Facilitators
The student facilitators have created the syllabus as well as the general curriculum for each week. Our main goal is for the classroom to collectively engage with the readings that spark fruitful dialogue and highlight myriad perspectives. While we completely endorse the spirit of an autonomous, free-spirited discussion, having some relative structure will guide in streamlining the collective engagement regarding the topic at hand. The student facilitators will be in charge of starting off activities and discussions, assigning written assignments, and hosting guest speakers.
Role of Professor(s)
The professor(s) may sit in on any class discussion but are not required to. They can guide and provide input on assignments. They will facilitate grading papers and other assignments. Natural science and engineering. 1 Credit.
Access the class schedule to search for sections.
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CPSC 088. Security and Privacy This course will cover the breadth of security and privacy topics in Computer Systems including software system security, applied cryptography, denial-of-service, and privacy-preserving mechanisms. This course will also include applied aspects of security and privacy including public policy and legal frameworks of censorship and anonymity. Course topics may include: Buffer overflows and defences, cryptography, symmetric encryption, hash functions, web security, certificates, authentication, denial of service attacks, internet crime - ransomware, botnets, and spam, privacy preserving mechanisms, and internet censorship. Group 2 Course. Prerequisite: CPSC 031 and CPSC035.
At least one upper-level course is recommended.
Natural Science and Engineering Laboratory work required. 1 credit Fall 2022. Chaganti.
Access the class schedule to search for sections.
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CPSC 091T. Special Topics: Randomized Algorithms In the past 40 years, randomization has proved to be a key tool in the design and analysis of algorithms. Randomized algorithms can be simpler and/or more efficient than deterministic algorithms. It can also better capture several computational problems that arise in nature.
This course provides an introduction to algorithm design with a focus on randomized algorithms and data structures. Topics include analysis of algorithms, basics of discrete probability including tail inequalities, the probabilistic method, NP-Completeness, and applications to graph algorithms, streaming algorithms, communication complexity, and machine learning. This is a Group 1 course. Prerequisite: CPSC035 is required. Mathematics background at the level of Linear Algebra or higher is required but may be taken concurrently.
No prior knowledge of probability is necessary. Natural science. 1.0 credit Spring 2023. Brody.
Access the class schedule to search for sections.
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Dance - Introductory Courses |
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Dance - Composition, History, and Theory Courses |
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DANC 012. Dance Lab II: Making Dance This course focuses on developing an individual practice and approach based on their interests and questions. This course emphasizes the creative process, how our choreographic practice happens in relation to technology and ways to expand our notions of dance making. We engage in interdisciplinary practices involving new media and look closely at different artists and their processes. Students will expand their ideas of choreography through participating in compositional exercises including video shooting and framing, discussions and critical feedback sessions while creating choreography of their own.
Students share bi-weekly regarding their practices and a final performance for the public is required. Students with whom the choreographer works and who commit to 3 hours weekly, may receive PE credit under DANC 011A . Dance Production Practicum. Prerequisite: DANC 011 Corequisite: A course in dance technique must be taken concurrently. Humanities. 1 credit. Spring 2023. Zhao. Fall 2023. Clark. Fall 2024. Staff. Catalog chapter: Music and Dance: Dance Department website: http://www.swarthmore.edu/dance-program
Access the class schedule to search for sections.
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Dance - Technique and Repertory Course |
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DANC 043. African Diasporic Traditions I This course is an exploration of Diasporic West African dance and drum traditions through kinesthetic engagement and selected philosophical and aesthetic perspectives. This course will explore selected dance and drum traditions and their associated cultural functions as a way to enter an embodied dialogue in African Diasporic dance traditions. Primary focus will be placed on dance and drum traditions from Mali, Senegal, Guinea and Ghana as many of those dance and drum traditions have gained exposure in the West through National Dance Company tours. Dancers and drummers from these companies have relocated to the States and teach the repertory of their national dances for the last 60 years. The Philadelphia Diasporic dance and drum community is part of this rich legacy. The Swarthmore College Music and Dance Department commemorates 25 years of Diasporic African dance and drum traditions. Be part of the legacy.
Students enrolled in DANC 043 for academic credit are required to write several detailed journals and a short final reflection paper.
Open to all students. Graded CR/NC. 0.5 credit or P.E. Eligible for BLST Fall 2023. Osayande. Spring 2024. Osayande. Fall 2024. Osayande. Spring 2025. Osayande. Catalog chapter: Music and Dance: Dance Department website: http://www.swarthmore.edu/dance-program
Access the class schedule to search for sections.
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